Tadao ando famous works
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Tadao Ando
Japanese architect (born 1941)
Tadao Ando | |
|---|---|
Tadao Ando in 2004 | |
| Born | (1941-09-13) 13 September 1941 (age 83) Minato-ku, Osaka, Japan |
| Occupation | Architect |
| Awards | |
| Practice | Tadao Ando Architects & Associates |
| Buildings | |
| Projects | Rokko Housing I, II, III, Kobe, 1983–1999 |
Tadao Ando (安藤 忠雄, Andō Tadao, born 13 September 1941) is a Japanese autodidact architect[1][2] whose approach to architecture and landscape was categorized by architectural historian Francesco Dal Co as "critical regionalism". He is the winner of the 1995 Pritzker Prize.
Early life
Ando was born a few minutes before his twin brother in 1941 in Minato-ku, Osaka, Japan.[3] At the age of two, his family chose to separate them and have Tadao live with his great-grandmother.[3] He worked as a boxer and fighter before settling on the profession of architect, despite never having formal training in the field. Struck by the Frank Lloyd Wright-designed Imperial Hotel on a trip to Tokyo as a second-year hi
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Tadao Ando was born in Osaka, Japan, in 1941. A self-educated architect with roots in Osaka, he spent time in nearby Kyoto and Nara, studying first-hand the great monuments of traditional Japanese architecture. Between 1962 and 1969 he traveled to the United States, Europe, and Africa, learning about Western architecture, history, and techniques. His studies of both traditional Japanese and modern architecture had a profound influence on his work and resulted in a unique blend of these rich traditions. In 1969, Ando established Tadao Ando Architect and Associates in Osaka. He is an honorary fellow in the architecture academies of six countries; he has been a visiting professor at Yale, Columbia, and Harvard Universities; and in 1997, he became Professor of Architecture at Tokyo University. Ando has received numerous architecture awards, including the prestigious Pritzker Architecture Prize in 1995, the 2002 American Institute of Architects Gold Medal, and this June was named recipient of the Kyoto Prize for lifetime achievement in the arts and philosophy. His buildings ca
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Tadao Ando, one of the most important contemporary Japanese architects, has pursued what he calls an architecture that moves people with its poetic and creative power. His numerous buildings yield intensely meaningful and didactic experiences. In so doing, Ando has engaged the discipline in the core philosophical questions on humanistic values, such as the end and purpose of creativity, or what architecture can contribute to improve the quality of human existence. To study his architecture is to examine how architecture can conceivably enhance the world as a humanistic discipline.
On the tangible level, Ando’s works may be characterized by their primary walls, constructed out of limited materials and composed of purely geometric forms. Raw, unfinished reinforced concrete has been Ando’s material of choice since his earliest years; later he added a shorter list of wooden buildings. These rather reductive methods, however, should never be taken to demonstrate a lack of intention, nor do they result in poor spatial qualities; instead, they are the conse
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