Suzannah espie biography

Suzannah Espie

Suzannah Espie is a Melbourne-based singer songwriter. She began performing with her alt-country pop band, GIT, in 1997. With a voice marrying country, soul, blues and pop, she has performed on albums by artists ranging from Mick Thomas, Jeff Lang and Matt Walker to Liz Stringer and Barb Waters. She also performs with Sarah Carroll in country outfits the Cartridge Family and the Junes, and she has released three solo albums: A Few More Days (2005), First and Last Hotel (2009) and most recently, Sea Of Lights (2012).

Sea Of Lights found its way into many best-of lists in 2012 — as did the album tour she undertook with Altmann and Stringer — from the AgeEG and Rhythms magazine, to even scoring the prestigious Nani award from 3RRR’s Banana Lounge broadcasters (Dave Graney and Elizabeth McCarthy). Espie earned one of the biggest accolades of her career when the Port Fairy Folk Festival named her the 2013 Port Fairy Maton Artist of the Year – joining an honour roll including luminaries such as John Butler, Arch

Suzannah Espie is a Melbourne, Australia based singer songwriter who has been casting spells over audiences ever since she first took to the stage with her alt-country pop band, GIT, in 1997. A woman of compelling beauty — statuesque, with piercing blue eyes framed by golden curls — she has a voice to match, an intoxicating mix of country, soul, blues and pop. A gentle, sweet trill that can move grown men to tears one moment, or an Aretha-esque hellcat belt that can raise the roof the next; however she sings it though, it’s still unmistakeably Suzannah Espie. It is as a solo artist Espie has truly come into her own…

It’s hard to believe now that, despite her prodigious talent, Espie was beset by self-doubt and shyness early on in her career, which she moved to Melbourne from Fremantle at aged 18 to pursue in earnest. She tells of forcing herself to get up at Fitzroy’s Rainbow Hotel to sing once a week. “Then I’d go and have a cry in the toilets afterwards because I thought it was so horrible.”

Collard recalls the first time he went over to Suzannah’s house to play some mus

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